Posts by MultiplesInc Projects

237.000 GBP will now buy you an unsigned print in an edition of 600.

Printed by Banksys then printer Ben Eine. And most likely numbered Eine too.

But at least the image is by the artist. Ohhh and not to forget the COA :-)

Congratulations to the happy buyer of a print!!! in an edition of 88 unique proofs. A piece of printed paper signed. Ohhh and of course with that lovely coa from pco :-) print 25.000 coa 350.000 :-) remember to frame that coa :-)

titled
acrylic and spray paint stencil on canvas
20.2 by 20 cm. 8 by 7 3/4 in.
Executed in 2002.

Sold for 418.000 GBP - that´s 1045 GBP per cm3.

Article from ArtNews on Keith Haring´s early Xerox art. Avialable at MultiplesInc projects.

http://www.artnews.com/2017/09/25/screaming-in-the-streets-aids-art-activism-at-clampart-new-york/

Rare footage from bethlehem where Banksy is interviewed on the works he did there in 2007.

Among those shown several times is "Donkey Documents". And thereby a formal authentication. Not that we needed one

but always nice to have. The clip originates from Banksys own website www.banksy.co.uk where the clip was shown for a short period in 2007.

When a piece of stenciled art on plywood appeared in Bristol in 2014 affixed to a public wall near the Broad Plains Boys Club, its leader Dennis Stinchcombe couldn’t be certain it was the work of Banksy. The piece depicted a man and woman staring into their cell phone screens, mid embrace, and although it bore both the visual aesthetic and wry sensibility of the Bristol-bred street art superstar, he was unable to confirm it.

All was calm until Banksy posted an image of the “Mobile Lovers” work on his website, essentially authenticating the work as his own. After that, Stinchcombe says, “This place went bananas.” Droves of people began showing up, turning the location into a pop-up spectacle.

from Joe Simons 2006 feature on The Andy Warhol Art Authentication Board (AWAAB). Sam Green and John Richardson talking about Andys method

of delegating the responsibility to make his art to others. "It did not matter who did it and who signed it. The important was the concept". If it was Andys concept and he delegeted it, then it was art.....

Click on image for youtube clip.

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Banksys  "Spy Booth" aka Chentenham Spies has been destroyed by builder who had been hired to repair the wall it had been sprayed on. Adieu to an artwork estimated at 1 million british pounds...!

Most of the findings of the former Andy Warhol Art Authentication Board (AWAAB) concerning the Brillo Boxes (Malmö type) are based on the opinion that all agreements were alswys done in writing. Pontus Hultén claimed right to his death that Andy gave him verbal permission to complete the body of work with the 105 boxes. Now it seems that verbal agreements certainly existed in regards to the iconic exhibition at Moderne Museet in Stockholm in 1968. In research material we have found 2 letters from Leo Castelli demanding a flower painting being returned. We know that Andy donated a large Electrical Chair painting to the musesum. The museum was in the opinion that Andy had donated both the Electrical Chair and a Flowers painting. How could any misunderstanding occur? Because no written agreement existed. Only a verbal where each party had a different opinion on what was agreed. And here is the proff.

BANKSY - "PHOTOGRAPHER RAT", 2003
Stencil and spray-paint on plastic road bollard, bearing the Banksy 'tag' signature.
THIS WORK IS SOLD WITH A FULL VERMIN CERTIFICATE OF AUTHENTICITY
90cm x 37cm x 37cm (35.5

Acquired directly in person from Jon Swinstead - Co-Founder of Pictures on Walls.

The other founder was and still is Banksy.

Available in the gallery.

This photo features right now on www.banksy.co.uk